Two people were detained in Winthrop, Massachusetts, on Friday morning, in an incident that was caught on camera and left questions for the community amid talk of a second surge of federal immigration activity in the Boston area.

Scout Grifoni, who lives near where she saw the detentions, said she was driving home when she saw agents wearing DEA and Homeland Security vests pull a work truck over.

"It feels really close to home, and it feels honestly surreal, strange," she said, noting the incident left her shaken.

The owner of the truck that was pulled over told NBC10 Boston the two people who Grifoni filmed being detained were employees of his house painting and flooring company. He said the agents questioned him at first, showing him a picture of a person they were looking for, but released him when he showed them the U.S. passport he got seven years ago.

NBC10 Boston has reached out to ICE for any information on what happened, including what charges the pair were detained on and when they would make an initial court appearance, but didn't immediately hear back.

ICE's director told the Boston Herald the sweep of immigrants in the city a few months ago "only scratched the surface." Follow NBC10 Boston: https://instagram.com/nbc10boston https://tiktok.com/@nbc10boston https://facebook.com/NBC10Boston https://twitter.com/NBC10Boston https://bsky.app/profile/nbcboston.com

A number of people were detained by federal agents in the area during an initial sweep in January, and on Thursday, the acting head of Immigration and Customs Enforcement told the Boston Herald that the agency is preparing for a second surge in the Greater Boston area.

It wasn't immediately clear if Friday's detentions were part of a larger sweep, but residents in the area were shocked.

"I don't even know why they would be here. We should all stop hunting people and work on immigration reform," Joseph Brennan said.

BOSTON, MA — Boston Calling is headed for downtown Boston this week in the return of the festival's collaboration with High Street Place.

For the fourth year, Boston Calling Night at High Street Place returns, bringing live performances from local acts and food and drink this Thursday from 6 to 11 p.m.

This year’s event includes live performances from local hip-hop artist Latrell James and rock pop band Copilot, offering a preview for fans of their upcoming sets at the festival this Memorial Day Weekend.

In between Latrell’s and Copilot’s performances, DJ J-Wall, High Street Place’s music director and resident DJ, will spin songs from Boston Calling acts from the past and present.

High Street Place’s restaurant partners will dishes for every palate, including the newly opened CUMIN Indian Eats, burgers from Wheelhouse and the porchetta sandwiches from Pennypacker's.

For guests 21 and older, a selection of local beers, curated wines and craft cocktails will be available for purchase at Alewives Tap Room, Bubble Bath and Daiquiris & Daisies, all within the food hall.

Officials have asked attendees to free register for Boston Calling Night at High Street Place by visiting www.highstreetplace/event.

Registered guests will be entered to win a pair of 3-Day VIP passes to Boston Calling 2025. Entrants must be present at the event to win.

In October 2023, cellist Yo-Yo Ma returned to Boston’s Symphony Hall to play Shostakovich’s two cello concertos with the Boston Symphony Orchestra and its Music Director Andris Nelsons. Recorded by a team headed by legendary Hollywood producer Shawn Murphy and BSO lead recording engineer Nick Squire, their performances of these two very different works are now set to be released by Deutsche Grammophon to coincide with the 50th anniversary of the composer’s death in 1975.

Shostakovich: The Cello Concertos will be issued as a standalone digital, CD, and vinyl album out now. Yo-Yo Ma’s recordings are also included in the anthology bringing together the BSO’s decade-long, GRAMMY Award-winning Shostakovich project. This contains all fifteen symphonies, key incidental works, new recordings of the complete cello, piano, and violin concertos – the latter with soloists Yuja Wang and Baiba Skride respectively – and the first commercial audio release in more than 20 years of the composer’s only full-length opera, Lady Macbeth of the Mtsensk District. It will be released digitally and as a 19-CD box set on 28 March.

Shostakovich’s Cello Concerto No. 1 in E flat major dates from 1959. Cast in four movements, it was dedicated to and premiered by the composer’s old friend Mstislav Rostropovich. Yo-Yo Ma has played the work many times, and here brings out the contrasting moods of its writing, from dark irony to poignant lyricism, with his signature virtuosic brilliance. In many places he creates an eloquent dialogue with BSO principal horn Richard Sebring.

Reviewing the First Concerto performance, the Boston Globe wrote, “in the second movement’s eerie duet between the cello and celesta, the high-pitched sound of Ma’s cello harmonics was so thin and crystalline that they sounded like a wind instrument. The extended cadenza was pensive, slowly ramping into the sardonic burlesque of the finale, which sent the orchestra hurtling to the finish line with Ma clinging to his cello as if for dear life.”

Rostropovich premiered the Second Cello Concerto in G major in Moscow on 25 September 1966, Shostakovich’s 60th birthday. He was also the soloist for the BSO’s first performance of the work, which, by sad coincidence, took place on 10 August 1975, the day after the composer’s death.

The Second begins in a melancholy vein, with a sighing phrase for the solo cello. After the extended Largo, the second and third movements are played without a break. Shostakovich mimics a street song from Odessa in the central Allegretto. That tune is dramatically restated in the finale, which begins with a horn fanfare and eventually ends with wood block, tom-tom, snare drum, and xylophone (part of the orchestra’s huge percussion section) punctuating a long-held drone note from the cellist.

This more reflective, inward-looking work is less frequently performed than its predecessor. As noted by the Boston Globe, however, “one could scarcely have asked for a better trail through [this less familiar territory] than the path Ma charted with Nelsons and the BSO … Here the cello brooded resolutely … there it raged in dark outbursts only to be answered by explosive thuds from the bass drum.”

Yo-Yo Ma will be reunited with the BSO and Nelsons at Symphony Hall on 11 April 2025 (sold out) and at New York’s Carnegie Hall on 24 April. Together they will perform the First Cello Concerto as part of an all-Shostakovich programme which will also feature the composer’s Symphony No. 11 “The Year 1905”.

“Having Yo-Yo Ma, one of the greatest cellists of our time, join us on our journey through Shostakovich’s music has been an immense privilege and a joy for all of us at the BSO,” says Andris Nelsons. “Yo-Yo has a totally unique imagination which infects everyone around him. His incredible range and depth and his humanity are ever present when performing Shostakovich’s demanding cello concertos. We are very proud to present this recording with Deutsche Grammophon, including as part of our complete Shostakovich box set, and I look forward to reprising the First Cello Concerto with Yo‑Yo in Boston and at Carnegie Hall later this spring.”

The property is one of the largest office buildings to trade in the city since the pandemic.

The Boston real estate firm Synergy has acquired the office tower at 99 High St. in downtown Boston from an affiliate of finance giant TIAA for $227 million, one of the largest office buildings to trade in the city since the pandemic.

The transaction marks Synergy founder Dave Greaney’s largest purchase yet in his post-Covid buying spree. Greaney has been the most active buyer of downtown Boston office properties over the past two years, including 101 Arch St., which Synergy acquired for $78 million last year.

The 32-story, 730,000-square-foot building sold at a substantial discount, as other properties have since the pandemic sent office vacancies soaring.

TIAA bought 99 High for $273 million in 2005. It has been under the ownership of its real estate arm, Nuveen Real Estate.

"To be able to acquire a Class A asset, in an exceptional location, close to transportation and amenities — we'll buy those assets all day long," Greaney said.

Synergy is assuming the mortgage on the property from MetLife, according to property records. A Nuveen representative could not be immediately reached for comment on the sale.

The property went on the market last year, and Synergy has long been linked to the building as the buyer-in-waiting. Located on the Greenway, the tower has been viewed as an important barometer for what a high-quality downtown office tower can go for in a market upended by Covid-19. The sale price came to $311 per square foot.

The building is 78% leased, according to Synergy. Tenants include AIG, insurance brokerage Marsh McLennan and the architecture firm SGA. Built in 1971, the tower underwent a lobby renovation in 2019.

The only building larger than 99 High to trade hands downtown in the past five years has been One Lincoln St., though that was in a foreclosure auction. A lending group took back the property with a $400 million bid last month. The 36-story, 1.1-million-square-foot had been refinanced for $1 billion just three years ago.

In addition to 101 Arch, Synergy has purchased 179 Lincoln St., One Liberty Square and One India since mid-2023. Greaney said that his firm hopes to buy "a few more assets" in Boston before year's end.

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Massachusetts breweries come in all shapes and sizes. But at its core, their shared mission is to bring people together to drink great beer.

With over 230 breweries in the state, Massachusetts has a rich beer culture that shows itself in tap rooms where people can gather.

“A brewery is often treated like a community center for the 21-plus crowd,” said Katie Stinchon, Executive Director Mass Brewers Guild.

On any given night, a brewery might host a paint night or a yoga class. Oftentimes, there is a line out the door for trivia. A brewery’s tap room serves as a third place that is not work or home to congregate and encourage people to be social, according to Notch Brewing’s founder Chris Lohring.

“Tap rooms can never lose their focus on being a community-driven enterprise,” said Lohring.

The brewery should not serve as a bar where the game is on and people don’t talk, or a restaurant where the food outpaces everything else, according to Lohring. His aim is to foster an “informal,” hospitality-centric environment with great beer.

Do people still want to drink at breweries?

While the brewing industry has significantly evolved in the past decade — from a boom in craft brewing to facing post-COVID challenges — brewers still see the tap room experience as invaluable.

When Sam Hendler co-founded Jack’s Abbey in 2011, it was still illegal to pass a pint of beer over the bar for the customer to drink in-house.

A Massachusetts law was passed in 2013 that allowed for breweries to sell their beer for on-premises consumption without needing to file for a separate restaurant pouring license. It became a major shift for the brewing industry.

“That was the beginning of a whole new era of craft beer in Massachusetts,” said Hendler. In 2015, Hendler Family Brewing Co. opened its first beer hall. Recently, the company has also acquired Night Shift Brewing and Wormtown Brewery.

“We have not changed the tap rooms in a significant way,” said Hendler, who thinks that every brand needs to keep its own identity.

“Worcester and Wormtown are basically synonymous so if we muddy the waters there we feel it will be really confusing,” he said.

Who goes to the tap room?

Boston Beer Company is trying to evolve with its consumers by offering choices in its tap rooms, especially since drinking has gone down nationally as Gen Z has stepped away from alcohol.

“We’re seeing a big rise in interest in the sober curious movement so we are seeing a lot of people that are interested in no or low alcohol beers,” said Shelley Smith, Senior Manager of R&D Brewing and Operations for brands like Samuel Adams and Dogfish Head Brewery.

The tap room is a critical place to interact with the consumer. Experimentation and innovation are central to the experience. Oftentimes a beer like American Light will begin in a tap room and then move to regional then national sales if it performs well, according to Smith.

While tap rooms have typically been family-friendly, a movement to stop kids from entering breweries has started to gain traction. Notch and Castle Island Brewing have both recently added policies limiting children in the tap rooms at night.

Boston.com surveyed readers last fall asking if kids belong in breweries, and the majority of the more than 1,200 who responded answered no.

Reader Bonnie T. from Braintree said, “Kids don’t belong in bars. Breweries are bars. You have kids, get a babysitter.”

What’s next for breweries?

Despite challenges, new breweries continue to find their place in Massachusetts.

Drawdown Brewing opened their doors at the end of 2023 and has found success in Jamaica Plain. The brewery is woman and LGBTQ+ owned, and was named the best place to watch women’s sports in 2024 by Boston magazine.

“It’s all about striving to be an excellent space that fills a void in the market,” said founder and owner Liz Nicol.

We asked readers to help us update our guide to the best breweries across Massachusetts, and received hundreds of votes. Below find an updated interactive map and full list of reader-recommended breweries across the state.

Map: Where to find the best breweries in Massachusetts

List: Where to find the best breweries in Massachusetts